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Contoh Artikel Bahasa Inggris3/15/2021
To browse Academia.edu and the wider internet faster and more securely, please take a few seconds to upgrade your browser.Related Papers KKPI By ujang Stevan About hardisk By Wani Nini Maswan Kelompok-5-media-penyimpanan1 By yulinda sigalingging Perpustakaan Teknis Digital By Henric Heatubun C2 Perakitan Komputer X By aqshal nurmus READ PAPER Download file.
Contoh Artikel Bahasa Inggris Upgrade Your BrowserDuring the Sukarno period this socially-engaged art was officially promoted, but after 1965 it lost popularity due to its presumed communist tendencies. Temukan materi Bahasa Inggris terkait dengan contoh teks di bawah ini. Table of Contents PART 3 Artikel Bahasa Inggris Tentang Kebudayaan Seni Tradisional Indonesia Traditional performing arts Traditional visual arts Sculpture Architecture Crafts Literature Poetry Recreation and sports Foods Popular media Related posts: PART 3 Artikel Bahasa Inggris Tentang Kebudayaan Seni Tradisional Indonesia PART 3 Artikel Bahasa Inggris Tentang Kebudayaan Seni Tradisional Indonesia Artikel Bahasa Inggris Tentang Kebudayaan Seni Tradisional Indonesia adalah kelanjutan dari artikel sebelumnya. Simak materi tentang Kebudayaan Indonesia di sini: Read More PART 1 Artikel Singkat Bahasa Inggris tentang Kebudayaan Indonesia PART 2 Artikel Bahasa Inggris Tentang Kebudayaan Seni Tradisional Indonesia Traditional performing arts Traditional visual arts What Indonesian painting before the 19th century are mostly restricted to the decorative arts, considered to be a religious and spiritual activity, comparable to the pre-1400 European art. Artists names are anonymous since the individual human creator was seen as far less important than their creation to honor the deities or spirits. Some examples are the Kenyah decorative art, based on endemic natural motifs such as ferns and hornbills, found decorating the walls of Kenyah longhouses. Other notable traditional art is the geometric Toraja wood carvings. Balinese painting is initially the narrative images to depict scenes of Balinese legends and religious scripts. The classical Balinese paintings are often decorating the lontar manuscripts and also the ceilings of temples pavilion. Under the influence of the Dutch colonial power, a trend toward Western-style painting emerged in the 19th century. In the Netherlands, the term Indonesian Painting is applied to the paintings produced by Dutch or other foreign artists who lived and worked in the former Netherlands-Indies. In the 1920s Walter Spies settled in Bali, he is often credited with attracting the attention of Western cultural figures to Balinese culture and art. His works have somehow influenced Balinese artists and painters. Today Bali has one of the most vivid and richest painting traditions in Indonesia. The 1920s to 1940s were a time of growing nationalism in Indonesia. The previous period of romanticism movement was not seen as a purely Indonesian movement and did not develop. Some examples of Indonesian painter during this period are the Balinese Ida Bagus Made and the realist Basuki Abdullah. The Indonesian Painters Association (Persatuan Ahli-Ahli Gambar Indonesia or PERSAGI, 19381942) was formed during this period. PERSAGI established a contemporary art philosophy that saw artworks as reflections of the artists individual or personal view as well as an expression of national cultural thoughts. From the 1940s on, artists started to mix Western techniques with Southeast Asian imagery and content. Painters that rooted in the revolutionary movement of the World War and the post-World War period started to appear during this period, such as Sudjojono, Affandi, and Hendra. During the 1960s, new elements were added when abstract expressionism and Islamic art began to be absorbed by the art community. Also during this period, a group of painters that are more concerned about the reality of Indonesian society began to appear, taking inspiration from the social problem such as the division between the rich and the poor, pollution, and deforestation. The national identity of Indonesia was stressed by these painters through the use of a realistic, documentary style.
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