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Old 97S Too Far To Care Rar Download3/25/2021
The song is governed not by comedy but by despair, and despite Millers ability to write lovely songs like Question and the sort of material that winds up on his solo albums, Too Far to Care has a bleakness permeating it.They gained attention in part because it was a good time for that sound, but it didnt hurt that the albums were very good and they were even better live.
Later, the group would cut pop-rock music, but 15 years ago the group split the difference and cut the finest album of their career. Too Far to Care, the groups first for Elektra Records, gave them an opportunity to get in a studio, work carefully, and make something memorable. They did so not through fussiness, but by figuring out exactly what to burn down. Ken Betheas Timebomb riff opens the album with as dynamic a moment as the band has in its catalog. ![]() He sounds as if hes lost his mind, and hes either taken the band with him or theyre happily driving him there. Its a fantastic moment, and the album wont let up for a few more tracks until Salome, a lovely cut thats perfectly placed on the album. If the album opens with rowdy rock, the twang (the term twang here used contractually) still comes through. TX Teardrops isnt far removed from a country song, and Hammonds stated that he wrote it as a yodeling cowboy number. Streets of Where Im From and Curtain Calls show Miller slipping into his country vocals. Big Brown Eyes takes a perfectly cute pop song and roughs it up with sand on the verses and rock on the chorus. Millers personable lyrics (Youve made a big impression for a girl of your size) work in a context thats concrete but unexplained. Who is Robert Why do we care what his dad thinks Millers songwriting is at its best throughout the album. Hes goofier than hed let himself be, and the demeanor provides a sort of transparency in his characters and writers that we dont often get in pop music. Hes willing to rhyme words with themselves or to use cliched pairings for effect. This sort of characterization brings an immediate humanity to his characters that he quickly turns around for emotional effect. Melt Show starts with lines like We fooled around You let me have it for free. The comical start mocks the singers suggestion of love, but the jokiness gets upended as that song turns to hurt, all exacerbated by Philip Peeples insistent drumming. Peeples style might come as much from Sun Records, maybe DJ Fontana, as from any of the rowdier, more recent rockabilly you might think of, but its every bit as charged). This sort of writing finds its peak in Barrier Reef, one of Millers greatest achievements. He names his singer after himself (with birth name Stewart Ransom Miller), but portrays him as a louche drunk. Lines like You know how some girls are Always making eyes Well, she wasnt making eyes suggest a rambling semi-coherence thats laughable in the singers pick-up story. The singalong chorus, an immediate ear-worm, makes it feel like a good-hearted bar tale until the bottom falls out at the end. Even then, the reveal comes as a joke (With her on top and me on liquor) but it hides a painful emptiness.
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